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Tired botlooking eastThe Great Sand DunesThree leaning barnsIngnoring TreeBoard Tree

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Last summer someone that has a modicum of medical knowledge told me that I should never drink alcohol again. I accepted that grim fact like I accepted that horrible fact of the presidential inauguration of 2000. That day, the equivalent of an high school bully entered our lands highest office and made a joke out of it. Some would say, What about the outstanding way he handled 9/11; that was good, Right? He was great because our expectation was that he would declare martial law and hide in a bunker for the next three and half years. He did what he should've done. After that, he stepped back into his character and fell for the bait Al Qaeda provided. It was the classic strike and faint strategy, only Osama bin laden got a two for one with the invasion of Iraq. Meanwhile the Bush/ Nixonian Neocon demolition squad was busy wrecking our government- The banking system was using a Neil Bush playbook with the help of some of the old crew form Enron - and his oil/coal buddies secured the lock on this nations antiquated energy system. So that leads to our impotent position in the world as a castrated superpower.

May be, could be, would it be, that Barack Obama will put the right people in charge to change our government and regain the confidence of the people. As of this writing it seems not. A retread of the Clinton government was put into place and a economic policy that has more to to with the thirties than the present. Throwing money at an deeply indebted inconfident economy so it can buy more does not seem prudent. What needs to happen is a prosecution of those people responsible. I think it's all about morality and lawlessness, the organism that is the economy reacts to this as a justified threat. The mass mental health of the economy must witness punishment for the crimes that were committed. No one gets off not even George W. Bush. Then maybe some of the cash that is sitting on the sidelines will be put back to work.

Now we get to my second point with the guiding of Barack Obama. If he and other future presidents perceive that there will be a penalty for any crime they would commit, could be we would have a more restrain executive - Could be, Barack Obama would think more than twice about sending more troops to Afghanistan. A country almost exactly on the other side of the globe, with a culture that is alien to ours, and history that does not favor invading foreign powers.

That bring me back to some one with a modicum of medical knowledge telling me never to drink again and I accepted that grim and unkind fact. As a country we need to be told, induced, pleaded with to stop consuming and start saving; Saving our money, our land, our government, and yes our moral standing. That is the grim fact we are facing. You should be told that it's stupid or even down right dangerous to have a TV in every room . The thirty two ounce super gulp Would be banned as a biothreat. Giant trucks could be taxed into oblivion. And all these freaking birthday presents kids get should be exchanged for money that is put into education. Or hey, just not buy as much crap and use our money in a cleaver and thoughtful manor.

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toeKapillerStompy the electro godBugMad Robot Rampagefront of kyles carscraper gearhippy houseretouched back of signhell frozengrain geardark cloudfunnel cloud retouchcook st. Denverdenver cook street 2mountianwaveCook stree in denver 3topo abstract plant lifeCandy wormssynapseGreat sand dunes two growths on my lawnAcrylic wash of an impression of an memory of the skyAcrylic Ink and wash of the farm at nightSpace treeabstract puebloBlock-O-rado AcrylicAcrylic ink and wash of three barnsacrylic painting of a cylinder tree on the front range looking eastacrylic painting of a motherly typ of monster headFront Veiw of a sand stone sculpture. It could be some sort of tiki god.plaster cast of mountain man sculptureplaster cast on mountain man sculpture - side viewMarble sculpture Toe HeadMarble sculpture of Toe Head - Front viewMarble sculpture of a god head lime stone sculpture of a long gone northern type godabstracted facesLamp shade tree with the over the top filtered image for the Background.Geometric abstract optical artDigital abstract racing art a cartoon hand for an animation sophisticate abstraction Still of a Three-D character. The long back is for a pan.Two door stops stopping each otherElectric conjoined cats.Kinetic Perspective Abstractionlamp shade tree no back groundPower linesA digital sketch out of an office window on a very grey day.Optical image "Blac Bloc"The geometric visualization of a blu beat intramentalIf a computer would draw something I believe this could the first one.An illustration I threw in, eh?Started out as a "stick to the rules" optical work, then regenerated into impressionismDigital work up for looking eastcircular optical artSelf portrait a Photo manipulation that resulted in a color fieldHal's Kin story board for an animationSelf portrait while hung overDr. Smarty PantsPhoto manipulation.Bent Cross or you could call it drooping crucifix tree.abstract star absrtacted star Clouds star incubatornebula like mineral diposite portraitcold abstraction of a starcircular optical artline compositionorganized abstraction twoOrganized AbstractionZone line in BlueZone free Associationmagic marker sketch of Abe Lincolnperspective view of mural planColor pencil sketch of the Great Sand Dunes in Coloradosculpture plan pencil and ink mural sketchColor pencil sketch of sun boxcrayon color field sketchColor pencil portrait sketch Color pencil sketch of a hedge rowColor pencil sketch of the Great Sand Dunes in Coloradosketches of the farm at night and 3 barnsDoodles, God Heads, Butt Heads, and other future Projects.doodlesLine practiceSketch up of a god and his believer, and in the bottom a tree with compartments.sketches of faces in the news before operation induring Iraqi occupation.Color pencil sketch of three leaning barns of the top, and on the bottom a color field impression sketchWart head viewsThree cylinder tree viewsSketch of a cold front approaching from the North.Assorted Totem's tiki's and flying god heads.Sketch of a tree trunk and root in the boundry waters.Ideas for bird houses, sketched up and inked.Inked sketch of a rual landscapeSeveral book ends, door stops, and book dividersBlue beat buddy fundercandy landOld Reel24 hours of Aspenvertab motion
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Mitchellogical
Statment
It seems to me that I have often tried to get away from using the saturated red-green-blue color scheme. Some how I've always gravitated towards this, even if I start out with a very muted or monochromatic pallet. Oh, I've pulled off a few, Like a winter scene of a hedge row, or a muther of a monster; but more often I start out thinking that I will keep the chroma down only to drift into this saturated mode of rendering my image. A few years ago I used a method of first penciling in the drawing on water color paper then inking it in and using an acrylic wash. That was a good method of retarding my chromatic saturation level; I've used this technique on canvas as well but when I start to paint over the drawing I tend towards more and more saturated chroma levels...

...To compete with that electric glow of the television I give in to the saturated color scheme and give the luminosity a boost. I do this - as best I can by first laying down a opaque coat of pearlescent paint on the white gesso surface ( pearlescent gives off a glow when light hits its, like a car license plate. ) then build it up with Three or four layers of increasingly transparent pearlescent paint until I end up with a thick layer of clear medium. Over that I lay down the first, transparent set of colors; usually laying down the opaque colors as I finish. Of course I don't adhere to this method religiously, Of late I have been drawing a good portion of the image in pastel chalks then painting a clear coat over that; then I finish it off, using that method of clear to opaque. This process can also be referred to as thick to thin when using oil paint, I use acrylic medium...

...Content, for me, is usually taken from my surroundings. I sketch something either on a surface or commit it to memory. Then take this preliminary image and simplify it, edit it, tune it, and usually end up with my completed image. Sometimes the - "simplify it, edit it, tune it"- is done before I lay down the first bit of paint; Other times I make It up as I go along. Usually the preplanned image turns out representational and the stream of consciousness image is abstract. There are times where the two processes synergize; which is I look for representation in the abstractions and simplify the representational, that's usually the fun part. Tedious parts of my process are always at he end and most always involve putting in detail that I feel I must put in.

Ian Mitchell

All images contained herein are Copyright Ian Mitchell.